The Application of Mise en Scène in Maha Melihat: Realism and Narrative Dynamics Through Visual Style

Abstract

Mise en scène, meaning “placing on stage,” encompasses all visual elements within a film frame, including setting, props, costumes, makeup, hairstyles, lighting, and character staging. These elements contribute not only to realism and authenticity but also to the dynamic interaction between narrative and cinematography. This study analyzes the application of mise en scène in the film Maha Melihat, focusing on how its visual components, particularly the setting, support the narrative and enhance the audience’s experience of realism and authenticity. The analysis employs a qualitative, descriptive-interpretative approach, drawing on film studies theory and close reading of key scenes. Findings reveal that in Maha Melihat, mise en scène operates as a dynamic narrative force rather than a static backdrop. The setting assumes an active role, shaping the atmosphere, conveying meaning, and reinforcing the emotional tone of the narrative. The interplay between mise en scène and cinematography further amplifies the film’s expressive depth and realism. The study confirms that mise en scène is a crucial stylistic strategy in contemporary cinema, enabling filmmakers to construct authentic, meaningful, and immersive cinematic worlds. In Maha Melihat, it functions not only to support the story but to actively participate in the storytelling process.